Cattle thieves attack every cattle drive that comes near Hagerstown. If they do not sell their cattle for 50 cents on the dollar, they are all stolen. U.S. Marshal Stormy has been sent to end this reign of terror and to find the stolen cattle. He starts with a patrol of cattleman that blast every attempt of the outlaws to steal the herd.
Silent Western
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.
Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.
In 1929, an Australian Aboriginal stockman kills a white station owner in self-defense and goes on the lam, pursued by a posse.
A group of copper miners, Southern veterans, are terrorized by local rebel-haters, led by deputy Lane Travis. The miners ask stage sharpshooter Johnny Carter to help them, under the impression that he is the legendary Colonel Desmond. It seems they're wrong; but Johnny's show comes to Coppertown and Johnny romances lovely gambler Lisa Roselle, whom the miners believe is at the center of their troubles.
Mrs. Evie Teale is struggling to stay alive while raising her two children alone on a remote homestead. Conn Conagher is an honest, hardworking cowboy. Their lives are intertwined as they fight the elements, indians, outlaws, and loneliness.
Western comedy about a cowhand falling in love with the pretty guest at a local dude ranch.
Trained by his Quaker mother to be gentle, Cyril Henderson receives only laughter from the townspeople when he tries to act tough to impress Grace Nolan, who is allowing Art Jordan, the town bully, to occupy her time so as to pique Cyril. The murder of Andrew McBride, who holds the mortgage on the Henderson's property, is blamed on the elder Henderson, and Cyril unsuccessfully tries to take the blame.
When Sheriff Larkin's brother is falsely accused of a murder, Larkin still does his job - arrests the boy and takes him to prison. But, his duty done, the sheriff takes off his badge and helps his brother to escape.
During the Austrian-Prussian war, Anna Marie is a dancer who is forced to flee her country after she is accused of being a spy. She ends up in a lawless western town in Arizona, where she uses her charms and dancing skills to transform herself into "Salome" during her dance routines.
After robbing and massacring a village, the head of a gang of bandits, Captain Jagunço, kidnaps Flô, Mayor Cisso's wife and tortures her.
A little girl living on an isolated ranch claims to have formed a bond of friendship with a pure white, "wild" stallion. The horse is well known in the area, almost legendary, and supposedly vicious. Is she just making it up, or is she telling the truth? If it's real, isn't it dangerous for her with a "killer" horse? Or is the horse as vicious as he's been portrayed?
Bhushan Chaudhry (Shafi Inamdar) and Mr. Agarwal (Tiku Talsania) are business rivals, and hate each other. Their children, Rajesh Chaudhry (Aamir Khan) and Asha Agarwal (Juhi Chawla) study in the same class in college, and are in love with each other. Both are terrified of what their parents will do when they find out about their romance. And when the parents do find out, all kinds of restrictions are placed on them. Unable to stay away from each other, they elope in a stolen car. On the way, they come across an injured man, and decide to take him to hospital. Little knowing that helping this stranger will not only change their lives forever, but also place their lives in danger.
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
The Range Busters are together again to try and stop a swindle.
The Last Outlaw (1919) proved very tantalizing. An end-of-the-West Western, it shows its grizzled hero revisiting the town of his youthful exploits. But now, in an anticipation of Ride the High Country (1962), civilization has taken over. Cars chase Bud off the streets and the theatre features movies (Universal Bluebirds at that, a bit of product placement). Ford heightens the contrast by letting us into the hero’s memory, introduced by the title: “Memories of the past flashing back to him”—the earliest reference to the term “flashback” I recall seeing in the movies.
Chief of Scouts Ed Bannon works for the US Army at Fort Clark, Texas and he dreams of aiding in bringing peace to the region, despite opposition from both the Army and the Apaches.
English gunsmith Jonathon Tibbs travels to the American West in the 1880s to sell firearms to the locals. He inadvertently acquires a reputation of quickness on the draw due to his wrist mounted Derringer style weapon. Soon gaining the post of sheriff, he endeavours to clean up the town using what skills he has—and by multilateral diplomacy.
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